Programma
18:00 Intro
18:10 Maria Gil Ulldemolins: Marie goes by Mimi (I) – on that which we do see
18:21 Nadia Sels: Looking at lekythoi 2
18:32 Jeroen Peeters: What do her hands know? — part 1
18:43 Patrick Ceyssens: Each image is an other image — deel 1
18:54 Bert Willems: De oor-sprong van de verticale muziek-compositie
19:05 Maria Gil Ulldemolins: Marie goes by Mimi (II) – on that which we do not see
19:16 Jeroen Peeters: What do her hands know? — part 2
19:27 Nadia Sels: Looking at lekythoi 1
19:38 Patrick Ceyssens: Each image is an other image — deel 2
19:49 Ira A. Goryainova: The Last Image: Gazing at the Other — part 1
20:00 Tom Lambeens: Spank & Dust – Jean-Siméon Chardin
20:11 Anneleen Swillen: ?
20:22 Lieven Segers: ja
20:33 Remco Roes: o.T. — deel 1
20:44 Ira A. Goryainova: The Last Image: Gazing at the Other — part 2
21:55 Toon Leën: Endlich methodisch und richtig Ponys jagen
21:06 Lieven Segers: nee
21:17 Remco Roes: o.T. — deel 2
21:28 Bert Willems: Het her-vinden van de horizontale muziek-compositie
21:39 Toon Leën: One day in Salisbury is enough
22:00 Slot
De sprekers, in de volgorde van de avond
Maria Gil Ulldemolins
Maria Gil Ulldemolins is assistant professor of creative-critical research methods at UHasselt. She is interested in citational practices, visual and textual. She is one of the co-founders of Passage (projectpassage.net).
Nadia Sels
Nadia Sels is professor aan Universiteit Hasselt, PXL-MAD, School of Arts, en Universiteit Gent. Zij doceert onder meer klassieke mythologie en kunstgeschiedenis.
Jeroen Peeters
Jeroen Peeters is an essayist who works across the media of writing, not-writing, performance and publication. He researches matters such as ecologies of attention, material literacy, readership, commoning and cultural rewilding. Recent books include Bookmarks of sorts (2021) and And then it got legs: Notes on dance dramaturgy (2022). Together with Mette Edvardsen he runs the publishing house Varamo Press. Peeters is a research fellow at Hasselt University, Faculty of Architecture and Arts, and PXL-MAD, School of Arts, where he prepares a PhD on Conceptual Landscapes: Readership in the Expanded Field.
Patrick Ceyssens
Patrick Ceyssens is beeldend kunstenaar. Daarnaast is hij docent beeldanalyse en Image Thinking en coördinator van de onderzoeksgroep Frame aan PXL-MAD, School of Arts en Universiteit Hasselt. Ceyssens laat ons het onderliggende effect van beelden voelen door middel van expressief spel tussen genres en disciplines. Zijn onderzoek richt zich op het proces van kijken naar visueel denken.
Bert Willems
Bert Willems is Hoofd Onderzoek van MAD-Research, de onderzoeksgroep van PXL-MAD, School of Arts, Hasselt (Hogeschool PXL) en de Faculteit van Architectuur en Kunst (Universiteit Hasselt). Hij schrijft korte essays over datgene wat hem nauw aan het hart ligt.
Ira A. Goryainova
Ira A. Goryainova is a film director, audiovisual artist, and researcher based in Brussels. The relationship between body, camera, screen, and spectator is her main area of interest, which she explores in essay- and montage films, video installations, and performances. She is a postdoctoral researcher, as well as a hybrid and documentary film teacher at the Royal Institute for Theatre, Cinema and Sound (RITCS), Brussels.
Tom Lambeens
Tom draws and writes. Tom loves flowers.
Isn’t it so that the assumption that ‘everything is interesting’ leads to downright numbness if not preceded by the question of how something can appear? I would like to demonstrate the urgency of interplay between how and something – the neglected child in the orphanage of the arts – by reference to an artist in whose art, according to some, is nothing of topical interest left to be found: Jean-Siméon Chardin. The interplay between how and something as it appears in his dull, dull still lifes is, in my view, the escape hatch to the horizon within which anything could possibly be interesting.
Anneleen Swillen
Wie is Anneleen Swillen? Waar zal haar lecture performance over gaan? Hoe zal ze deze uitwerken? En, wordt het interessant?
Who is Anneleen Swillen? What will her lecture performance be (about)? And, will it be interesting?
Lieven Segers
Lieven Segers is beeldend kunstenaar en zegt soms ja en soms nee op de dingen
Remco Roes
Remco Roes is kunstenaar en docent aan Universiteit Hasselt en PXL-MAD, School of Arts.
Toon Leën
Toon Leën studeerde schilderkunst aan Sint Lucas Antwerpen. Hij is beeldend kunstenaar en doctoraatsstudent aan PXL-MAD, School of Arts en Universiteit Hasselt. Centrale thema’s in zijn werk zijn auteurschap en authenticiteit, abstractie en empathie, en het handelingsvermogen van beelden.
