Tom Lambeens

Tom Lambeens

Tom Lambeens is an artist whose practice focuses on reinterpreting everyday phenomena—elements often overlooked due to habitual perception. By shifting attention to concepts such as gravity, space, light, and materiality, particularly of liquids, he reconstructs these familiar aspects from their roots rather than merely changing their context. His work explores the dynamic nature of matter and perception, challenging static interpretations through both artistic and theoretical approaches.
visit

Panama

Panama positions itself as a research group at the intersection of image creation and critical reflection—between drawing in its broadest sense and image analysis. Its name pays homage to the desolate harbor bar in Le Quai des Brumes (1938), evoking not an exotic idyll but a conceptual passage: a narrow strait between art school and university, a liminal zone between the art world and society.

Panama is not a clandestine network of smuggling routes; rather, it redirects the exchange of ideas and artifacts according to specific needs. Both drawing and image analysis are understood as forms of thinking in images, expressed through an intensified gaze. Drawing initiates a dynamic interplay of matter, motif, and composition, testing form, color, volume, and weight in motion. Image analysis approaches art history as a continuous metamorphosis of forms, considering their resonance in the present. Tradition and experiment do not merely coexist—they presuppose one another.

At the same time, every image remains embedded in culture, traditions, memories, and values, against which students and researchers critically test their self-image and worldview. The process connects making and thinking: developing a personal image concept and signature (visual language) is as important as the final result. Writing supports this process as a creative response to what the image reveals.

Key dimensions include the dialogue between viewer and image, the liberation of the image as “language,” continuous regeneration and reinterpretation, the technological impact of new media, and the convergence of seeing and creating. The ultimate goal is to cultivate a critical, personal visual awareness that helps artists position themselves in a world dominated by images.

  • Research domains